Longman 1768
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James Longman, XXIV New Cotillons, or French Dances. As perform’d at Court and all Polite Assemblies. For the Harpsicord, Violin, German Flute, or Hautboy, with proper Directions to each, London 1768
Howe 1862
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Elias Howe, American Dancing Master, and Ball-Room Prompter: Containing About Five Hundred Dances. Including All the Latest and Most Fashionable […]. To Which is Prefixed First Lessons in Dancing, the Five Positions, etc. With Elegant Illustrations. And full explanation and every variety of the latest and most approved figures, and calls for the different changes, and rules on deportment and the toilet, and the etiquette of dancing, Boston 1862
Wilson 1809
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Thomas Wilson, The Treasures of Terpsichore. Or, a Companion for the Ball-Room. Being a collection of all the most popular English Country Dances, Arranged Alphabetically, with proper Figures to each Dance. Together with all the new dances for 1809, London 1809
Willcox 1793
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Asa Willcox’s book of figures, 1793. Multigraphed from a manuscript in the possession of the Newberry Library, Chicago 1918
Radestock 1877
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Rudolph Radestock, The Royal Ball-Room Guide and Etiquette of the Drawing-Room, containing the newest and most elegant dances and a short history of dancing, London 1877
Cahusac 1788
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Thomas Cahusac, Twelve Country Dances. With their Basses, for the Year 1788, with proper Directions to each Dance, as they are Performed at Court, Bath, and all Public Assemblys, London 1788
Wheatstone/Voigt, um 1807
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Wheatstone’s Selection of Elegant & Fashionable Country Dances, Reels, Waltzes, &c For the Ensuing Season, Including those much admired Neapolitan & Maltese Pandean Airs, Arranged for the Piano Forte or Harp, also Flute or Patent Flageolet, with an Accomp for the Piano Forte or Harp by Augs Voigt, London [1807]
Wilson 1813
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Button and Whitaker’s Twenty Four Country Dances, with Figures by Mr. Wilson. For the Year 1813. Adapted for the Violin, German Flute or Oboe, London 1813
Pollock 1830
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J. S. Pollock, Companion to La Terpsichore Moderne. A Collection of the Principal New Dances; in which the Method of Dancing them is fully explained: also a Variety of Figures for Country, Spanish, and other Dances, London 1830
Goulding 1820
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Goulding & Co.’s Collection of New & Favorite Country Dances, Reels & Waltzes, London 1820
Campbell, um 1799
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William Campbell, Campbell’s 14th Book of New and Favorite, Country Dances, & Strathspey Reels for the Harp, Piano-Forte & Violin, with their Proper Figures, as Danced at Court, Bath, Willis’s & Hanover Square Rooms, London, um 1799
Fishar 1778
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James Fishar, Twelve New Country Dances, Six New Cotillons and Twelve New Minuets, London 1778